INFO and BIO
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Solo Exhibitions:
2026 Das Budget, Croy Nielsen, Vienna, AT
2026 3D Mécènes du Sud, Montpellier, FR
2025 All Things Not Made Yet Already Belong to Them, Rhizome, Kortrijk, BE
2025 Das Budget, Kunsthaus Glarus, CH
2025 Opening Up, 243 Luz, Margate, UK
2024 Marlie Mul at Rob Tufnell, London, UK
2024 Dream Within A Dream, Gaylord Fine Arts, Los Angeles, US
2022 Have You Tried Turning It Off and On?, Wiels Project Space, Brussels, BE
2021 Sperms Going to a Fashion Show, Croy Nielsen, Vienna, AT
2018 Booby, Croy Nielsen, Vienna, AT
2018 Stuff, Mother Culture, Los Angeles, US
2017 Cancelled, GoMA, Gallery of Modern Art, Glasgow, UK
2015 Arbeidsvitaminen, Vilma Gold, London, UK
2013 Boneless Banquet for One, Croy Nielsen, Berlin, DE
2013 Great Offers... (Marlie Mul and Morag Keil), CEO, Malmö, SE
2012 So We Came Anyway, In Barrels, Fluxia, Milan, IT
2012 Stop Being So Attractive I Can't Get Anything Done, Autocenter, Berlin, DE
2012 No Oduur (Your Smoke Draws Me In), Oslo10, Basel, CH
2012 No Oduur, Space Studios, London, UK
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CLICK HERE FOR: VARIOUS PROJECTS, COMMISSIONS and COLLABORATIONS
TEXT:
* EXHIBITION PRESS RELEASES and OTHER TEXTS
* EXHIBITION REVIEWS and PRESS
ONGOING PROJECTS:
♥ HERMANY ♥
🌀 PMS4ALL E-SHOP 🌀
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selected GROUP EXHIBITIONS:
✿ 2026 ✿
Manosphere, Stedelijk Museum, Amsterdam, NL
✿ 2025 ✿
Mike Kelley & Marlie Mul, Laurenz, Vienna, AT
Ass to Ass, Good or Trash, Paris, FR
Double Minutes #14: Marlie Mul and Anina Müller, Need Company, Brussels, BE
A Year of Rest and Relaxation, Croy Nielsen, Vienna, AT
✿ 2024 ✿
TransFORM, FRAC Alsace, Sélestat, FR
every flower seems to burn by itself, Les Bains Douches, Centre d'art contemporain Alençon, FR
Screens, 243Luz, Margate, UK
The Airbag Generation, Medusa, Brussels, BE
✿ 2023 ✿
Darker, Lighter, Puffy, Flat, Kunsthalle Wien, Vienna, AT
The Stuff of Life/The Life of Stuff, Sainsbury Centre, Norwich, UK
Homotopy Type Theory, Centralbanken, Oslo, NO
All Babies, Cabin 3, Frans Masereel Centrum, Kasterlee, BE
✿ 2022 ✿
Only One Step from Heaven, Tonus/La Sira, Paris, FR
Rob Tufnell Gallery, Venice, IT
Gone Fishing, Flat Time House, London, UK
Complete Trust, Zaza', Milan, IT
FASHION TIME, Mala, Lisbon, PT
Big Sales Show, Etablissement d'en face, Brussels, BE
Phantasmatic Riff, Untere Augartenstraße 26, Vienna, AT
✿ 2021 ✿
The Party, Kunstraum Schwaz, Schwaz, AT
Bye-Bye His-tory, Centre de la Gravure et de l'image imprimée, La Louvière, BE
Back Matter, MACRO Museum of Contemporary Art of Rome, Rome
✿ 2020 ✿
Crack Up – Crack Down, curated by Slavs & Tatars, Ujazdowski Castle Centre for Contemporary Art, Warsaw, PL
Dans la Cave – Hermany, Brussels, BE
The Shop – Galerie Georg Kargl, Vienna, AT
(Un)endliche Ressourcen? Die Kehrseite des Konsums – Künstlerische Positionen seit 1980, Städtischen Galerie Karlsruhe, DE
✿ 2019 ✿
Circulation, Galerie Georg Kargl, Vienna, AT
Tiny Miracles, Nest, ZhDK, Zürich, CH
Stoneroses: Walk in the Woods, Brücke Museum, Berlin, DE
Hermany presents: "Fashion Café", Kantine, Brussels, BE
Crack Up – Crack Down - The 33rd Biennial of Graphic Arts, curated by Slavs & Tatars, The International Centre of Graphic Arts (MGLC), Ljubljana, SI
Four Perspectives for the Blue Whale, organised by Ian Wooldridge, Istituto Svizzero, Rome, IT
Le petit cercle Bruxellois, Avenue de Jette / Institut de carton, Brussels, BE
ground & The CEC at artgenève, art fair booth curated by ground (Marlie Mul and Harry Burke) for Centre d'édition contemporaine, Geneva, CH
✿ 2018 ✿
Fabriques de contre-savoirs, 49 Nord 6 Est–FRAC Lorraine, Metz, FR
Terres de femmes, Praz-Dellavallade, Paris, FR
She Sees The Shadows, MOSTYN (DRAF + MOSTYN), Llandudno, WAL
Trois collectioneurs, Autrement #5, ETE 78, Brussels, BE
Crash Test, MO.CO Panacée, Montpellier, FR
✿ 2017 ✿
Olga Balema, Marlie Mul, Iza Tarasewicz, Croy Nielsen, Vienna, AT
The New Normal, Ashkal Alwan, Beirut, LBN
Eric Schmid is an Idiot, What Pipeline, Detroit, US
✿ 2016 ✿
Wirikuta, Mexican Time-slip, Museo Espacio/MECA, Aguascalientes, MX
Daydream from 2013, CANADA, New York, US
Dress Rehearsal, Centre for Style, 9th Berlin Biennal, Akademie der Künste, Berlin, DE
With Institutions Like These…, The Averard Hotel, London, UK
Die Sprache der Dinge, 21er Haus, Vienna, AT
One, No One and One Hundred Thousand, Kunsthalle Wien, Vienna, AT
Formen des Auswurfs, Galerie der Stadt Schwaz, Schwaz, AT
✿ 2015 ✿
Anagramma, Cura, Rome, IT
Pavillion de l’esprit Nouveau: a 21st Century Show Home, Swiss Institute, New York, US
Äppärat, Ballroom Marfa, Marfa, TX
Raw and Delirious, Kunsthalle Bern, Bern
Terrapolis, Neon Foundation + Whitechapel Gallery at Académie Française, Athens, GR
Art in the age of…Energy and Raw Material, Witte de With, Rotterdam, NL
✿ 2014 ✿
Je suis feministe, Unit 21/Penarth Centre, London, UK
To The End of the Line, Château Shatto, Los Angeles, US
Cold Intimacy, Anna Schwarz Gallery, Sydney, AU
Puddle, Pothole, Portal, Sculpture Center, New York, US
Silly Canvas / Center for Style, Utopian Slumps, Sydney, AU
Couplings, Taylor Macklin, Zurich, CH
In Real Life, Christine König Gallery, Vienna, AT
Airbnb Pavilion, Venice, IT
The Great Acceleration,Taipei Biennial, Taipei Fine Arts Museum, Taiwan
Journal, ICA, London, UK
Everything Falls Faster Than an Anvil, PACE, London, UK
Nature After Nature, Fridericianum, Kassel, DE
The Promise of Melancholy and Ecology, Fondazione Giuliani, Rome, IT
Bloomington: mall of America, north side food court, across from Burger King & The Bank Of Payphones that don’t take incoming calls, Bortolami, New York, US
Thin Air, Slopes Projects, Melbourne, AU
Basic Zone, Casamadre, Napoli, IT
Geographies of Contamination, DRAF, David Roberts Art Foundation, London, UK
✿ 2013 ✿
An der Hülben, Galerie Emanuel Layr, Vienna, AT
Under The BQE, M/L Artspace, organised by Marie Karlberg and Lena Henke, New York, US
Day Before This Place, Tanya Leighton, Berlin, DE
Forming The Loss in Darkness, Praz-Delavallade, Paris, FR
One After One,Vilma Gold, London, UK
✿ 2012 ✿
Humble Habits Domestic Monuments, Hinter Haus Des Meeres, Vienna, AT
Net Narrative, Carlos/Ishikawa, London, GB
8003, Cité Internationale des Arts, Paris, FR
A Programming Language, Lollypops Showroom, organised by Kari Rittenbach for PAMI (Peckham Artists Moving Image), London, UK
A Hanging at Times, Times Bar e.V., Berlin, DE
Balcuzzi, Cramer, (Marlie Mul and Valentina Liernur) Buenos Aires, AR
✿ 2011 ✿
Benedictions, Punctuation Programme, Limoncello, London, GB
Keep Floors and Passages Clear, White Columns, New York, US
Rhododendron, W139, Amsterdam, NL
✿ 2010 ✿
The Smart Frrridge (Chilly Forecast for Internet Fridge), Kunstverein Medienturm, Graz
End Note, Archive Kabinett/Tanya Leighton Gallery, Berlin (as XYM)
At Work With - XYM at the Nordic Pavilion,2010 Architecture Biennial, Venice, IT (as XYM)
Translation as a Structuring Principle: If A Then B, Gentili Apri, Berlin, DE
Kiss-You-Through-The-Phone, Paloma Presents, Zürich, CH
✿ 2008 ✿
Death of Samantha / Season of Glass, New Jerseyy, Basel, CH
CURATORIAL:
HERMANY
2024 HERMANY presents: Le Bistro
2023 HERMANY presents: funny demographic
2022 HERMANY presents: ding dong — an exhibition of new works by MICHELE DI MENNA
2020 HERMANY presents: DANS LA CAVE
2019 HERMANY hosts: FASHION CAFÉ, Kantine, Brussels, BE
2019 HERMANY presents 2 concerts by: BATTLE-AX and DAN BODAN
2019 HERMANY presents readings by: WALDO PARDON, AURELIA GUO, MARLIE MUL, and LOUIS KIOCK
2013 Door Between Either an Or (curated by Marlie Mul and Judith Hopf), Kunstverein München, DE
NEW!
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2026 Marlie Mul
Published by Distanz Verlag, Berlin
Edited by Melanie Ohnemus. Designed by Sabo Day, assisted by Carlo Canún.
With texts by Annie Goodner, Lili Reynaud-Dewar, Frank Wasser, a conversation between Marlie Mul and Melanie Ohnemus, and reprinted texts that have accompanied Mul's work over the years by Gareth Bell-Jones, Harry Burke, Marina Caron, Paul Clinton, Eilidh Duffy, Marlie Mul, and Kari Rittenbach.
Published April 2026
24 x 30 cm, 208 pages, softcover with flaps
ISBN 978-3-95476-865-3
Excerpt from the front-flap text by editor Melanie Ohnemus:
"This publication is the first monograph dedicated to the work of Marlie Mul. It brings together a generous chronological overview of her artistic production and unfolds as a dense field of relations between works, formats, moments, and collaborations that have evolved from the early 2000s until today.
The book opens with an extended visual sequence that focuses on the character of the works themselves and on making visible the development of media and materials in Mul’s practice. It foregrounds her sustained interest in sculptural concerns, direct engagement with materials, and in processes of layering, transformation, meaning, and re-meaning across multiple levels of articulation. Central to this is a continuous process of familiarizing herself and working with new materials and practices, which, are repeatedly extracted from their conventional contexts and expanded into new bodies of work. These are, in turn, accompanied and reframed by other materials and by more social formats of production and presentation.
Spatial relations—how things are positioned, how they relate to one another—play a decisive role in communicating Mul’s practice. Materiality and form consistently carry a political charge, articulated through conceptual and symbolic elaborations, accompanying texts and the ways in which existing works are re-presented and re-situated. An underlying current throughout her work is a critical engagement with patriarchal structures, systems of value, distributions of power, alongside an examination of artificiality and abstraction in relation to analogue, direct forms of action […]."
